Following the success of their feat**e de*ut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pa*lo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster was***and zom**e film in which South America had *een t**ned into an all-p**Following the success of their feat**e de*ut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pa*lo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster was***and zom**e film in which South America had *een t**ned into an all-p**pose, all-materials junkyard, with the undead as the last humane entities around (forget a*out the humans here!). The project never materialised, *ut Diego Parés, Pa*lo’s *rother, started to write and draw a comic series *ased on the screenplay – which so far remains a ruin, as only parts were finished and pu*lished. The ECish *eauty and *alls of Diego P.’s la*o** of love h**e now *een congenially tran**ormed *y the directorial duo into a delightfully old-(1970s)school low-*udget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhi**tion.详情
